I try to avoid talking about politics here, but to me, this feels important.
You know those “damn emails” of Hillary’s that we were all saying were “no big deal?”
Maybe we should have looked at those a little closer…
A few weeks ago I sat down with Maria de Cardenas at Navillus Gallery to talk about my recent show, “Urban/Landscapes”
The recorder was a fair distance away, the room was had some echos, so you’ll have to forgive the odd transcription error, but here is the interview:
Photography discussions online tend to focus almost exclusively on gear, but rather than posting more technical tests or reviews, I’d like to talk about working the scene – being on location, and making little decisions that make a photo better.
I like to go out and challenge myself – I pick a location, then pick a lens that seems entirely inappropriate for that environment, and try to find a way to make it work. In this case, I went to Mount Pleasant cemetery armed with a 14mm prime.
I don’t really show these photos or do anything with them, I mostly just review them, take notes, and hopefully learn something that I can use later on.
I am currently working on my first mural project, which as of this writing, is about 2/3rds done.
I am not playing the role of artist, however, that is Daeve Fellows‘ role. For this mural, I am one of the two project leads – so fundraising, event planning, materials management, scheduling, etc. Instead of painting, I get to do all the fun logistical drudgery work. Yay!
The City of Toronto has this anti-graffiti program going on, where if they find graffiti on your building, you are given given some sort of notice with date informing you of the date that the graffiti must be removed by. At this point, you have three options:
1. Paint over the graffiti in a neutral colour before the date listed on the ticket.
2. Paint a mural over the graffiti with a mural before the date listed on the ticket.
3. Do nothing, and sometime after the date has passed, workers from the city of Toronto will paint over the graffiti, then bill you for it.
Since Site 3 Colaboratory has done a lot of really awesome stuff over the past few years, and has started earning a higher profile in this city as a source for awesome stuff, the members of the shop decided that our building deserved better visibility in the community, so we opted for option 2 – let’s paint a mural!
As one of the few formally-trained artists at the shop – and the only one to major in painting, I kind of fell into the roll of co-lead for the project. (I only wanted to be a consultant!)
The last several months, I’ve been getting far more spam than ever before, so I’m having to clamp down on things a bit, add some security measures that make the place a whole lot less fun for humans to use. Sorry about that.
I will also be going through and deleting A TON of spam accounts, but I am only human, and I make mistakes, so if I accidentally delete your account, it’s nothing personal, it just means that you’ve failed the turing test and I mistook your account for something generated by a bot.
(Note: It’s 7am as of my writing this, and I have things to do this afternoon, so I’m going to declare this post a work in progress for now and go to bed. more details to come.)
My recent YouTube video comparing the nine year old Nikon D70 to the 9-months old full frame Nikon D600 has received a lot of attention. And it has also received a lot of criticism for being a very sloppy, uncontrolled test. The intention of the last batch of tests was to show the differences you get when you just pick up the camera and go. The output was neutral profile Jpegs, no sharpening or noise reduction. Each of the cameras exposed the shots differently, rendered colours differently, and handled noise differently.
This second batch of tests was a lot more strict. Auto white balance was the only area where the camera got to think for itself.
I used manual exposure mode, and used the exact same settings between cameras.
I shot RAW, not JPEG, to ensure the cameras weren’t doing anything sneaky to the images.
I took screenshots from inside Darktable, my RAW editor of choice, showing each of the images zoomed in to 100%, along with the camera settings.
The results were saved as PNG files, so there would be no softening as the images were compressed.
I’ll go from worst to best, starting with the D600. Click on the image to see the original, full size PNG screenshot.
ArtistMaterials is a subreddit I created earlier tonight.
Upon graduation from art school, I found it difficult to ‘talk shop’ with other working artists, as the internet is filled with many amateur art hobbyists on one end, and a bunch of obscurantist critical theorists on the other, and nothing in between.
I want a place where artists can gather to discuss the properties of cadmium vs quinacridone pigments, argue over the merits of 2 piece vs 3 piece moulds, discuss cobalt drier to oil ratios, talk about sand casting aluminum at home, list expected oil drying time per colour, exchange tips on using the mische technique, or work together to solve the mystery of how something was made.
So, if you are a redditor, head on over! And if you are a regular reader here, don’t worry, Most of the content posted there will come from either right here, or my YouTube channel.
I’ve used my new Samyang 14mm f/2.8 for a lot of architectural shots, working on collecting new source material for a batch of new paintings that I will begin production on in the near future. But I can only photograph so many cubes before I long for rougher, rugged, irregular shapes. I wanted to take my new lens out into the wilderness and get some landscape shots!
Of course, there isn’t a whole lot of wilderness to be found in downtown Toronto, so I headed off towards the next best thing: High Park. The cherry blossoms were in full bloom this weekend. If you’ve never seen High Park’s famous Sakura trees in full bloom, then you are missing out.
(Warning: Extreme levels of photo-nerd talk below)
With the acquisition of my Nikon D600 several months ago, the world of ultra wide angle photography opened up to me. At first, I thought I could make due with my excellent Tokina 11-16mm f/2.8 DX wide angle lens. No – I’m not crazy, I really was using a DX lens on an FX body. The image circle projected by the 11-16mm when it is zoomed all the way out is large enough to cover a full frame sensor.
The problem is that edge sharpness takes a nose dive, and the vignetting is terrible. And while the 11-16mm gave me beautiful images on my-6 megapixel D70, on a 24-megapixel D600, the limitations of this lens were apparent. It’s just not as sharp as I would want a lens to be. Since wide angle photography is something I enjoy, and I really want something sharp and wide. The old phrase “go big or go home” came to mind. Looks like it was time to buy a new lens.
Immediately, there were 3 options on my radar: