A few weeks ago I sat down with Maria de Cardenas at Navillus Gallery to talk about my recent show, “Urban/Landscapes”
The recorder was a fair distance away, the room was had some echos, so you’ll have to forgive the odd transcription error, but here is the interview:
http://blog.zeebigbang.com/post/79970824867/kyle-clements-its-a-challenge-of-constant
Saturday’s hanging went well. I’m all set for Thursday’s opening at Navillus Gallery.
110 Davenport, Toronto. 6-8pm.
I’m starting to get a flood of unsolicited emails from galleries who are so interested in my work, they want to offer me the privilege of paying them for a portfolio interview for the privilege of being allowed to pay them to show my work in some gallery I’ve never heard of.
Um…no.
If you’re that interest in my work, maybe you should check my facebook, google+, tumblr, twitter, YouTube, blog, or website, and see that I already have a show coming up in a gallery that I have heard of; one that doesn’t charge for portfolio interviews, and doesn’t charge me to show my work.
*facepalm*
At least the emails from crappy vanity galleries in New York have slowed down…
Apophenia is one of my favourite bugs in the human mind.
It describes the way we will so eagerly find patterns or connections in random noise.
Every day, countless random things happen, and a few of them, by chance, repate to other things, and our brain will tell us, “Oh, this is interesting! maybe it’s a sign? maybe it means something? Is the universe trying to tell me something?
No! Of course not. Of the billion things that happen, you are only paying attention to the few that mean something.
Getting dealt a 10 of clubs, king of diamonds, 8 of clubs, 7 of hearts, ace of hearts is just as unlikely as getting dealt a royal flush, but it doesn’t mean anything, so we ignore it.
Sometimes, you don’t have all the information, and you think you see something, but when you go back and get a clearer picture, you realize that you were just seeing things wrongly the first time around; it’s nothing.
Even though I understand what’s going on, I still feel it, and get excited by apophenia.
I had quite the strong case of it the other day; I was sitting in a fancy lobby, waiting to negotiate a new gallery contract.
I was thinking about how well my last show went; how big the turnout was, and how cool it was that Claire Danes, the actress, popped in to the gallery for a few seconds during the opening. My first celebrity spotting at an art show!
As I’m sitting in that lobby, waiting for the gallery owner to come in, I look at the magazine on the coffee table.
Who’s on the cover?
Claire Danes!
“It must be a sign!” -nope, no, it’s just apophenia.
I still signed with the gallery, though, you know…just in case…
I’ve not a new website in the works. I dont want to post a link to it just yet, as it is still missing a lot of stuff, but I like where it’s headed.
The old website was built to be fast and efficient, but it wasn’t flexible or easy to maintain. With the introduction of tablets, smartphones, smart TVs, and web-enabled gaming consoles, flexibility has become, in my opinion, much more of a priority. And based on the frequency of my updates, making it easier for me to do so is probably going to be a welcome change on my end, because I really hated updating things the old way. The last website was built by hand in a plain text editor. I had no idea what I was doing, and changing one thing meant opening and editing at least 4 separate files. This was a whole lot of very monotonous work, and the urge to procrastinate nearly always overpowered the urge to update.
This new site is using a lot of ready made components with lots of advanced content management systems; I’m halfway through uploading all the content and I’m still discovering new features that aren’t even advertised by the theme’s creator, Devin Price.
There is now a master gallery listing of images. Images can be tagged in various ways, and galleries can be created on the fly based on whatever tag you select. That means if I tag things “abstract, 2009, acrylic, Toronto,”, you can click “2009″ and see a gallery of everything I painted in 2009. With just one more click, you can be taken from there to a new gallery depicting toronto, or all my strictly abstract work.
I think this is a great addition to the website, because it frees people from the rigid organizational scheme I used on the old site, and lets you search for things however you want to search for them.
As I play around with this website further, I’m sure I will discover more cool new features that have so far gone unnoticed by me. Content from 2006 to 2010 is currently uploaded and tagged, but I still have to go through and update all the information and the availability of each piece. That won’t be a fun job…
Once I get everything uploaded, tagged, and type up all the important details, I’ll post the link here to let you have a sneak peek at what I’ve done before replacing the old site.
Two weeks ago, Site 3 CoLaboratory held a little, informal bitcoin themes open house. Even though it’s likely too late to jump on the BitCoin Bandwagon to strike it rich, it’s still an interesting idea, and an interesting thing to play with, so I installed a BitCoin wallet
At around 4 in the morning, I created a little page, http://kyleclements.com/bitcoin.html.
All it contains is a single line of text, a number, and which is just that number in an easy, machine-readable form.
Send Kyle some BitCoins: 1Ns9ck9gr2BMrgThVNmF3uYGc5947cnuNt
I tweeted about it at 4:09, and by 6:34, I had receive my first transaction. Wow. The internet can be a surprizingly altruistic place sometimes.
This is something that happens far too often for creative professionals.
You get a message in your inbox from a big name, multi-million dollar company working on a high-profile job, and they would like you to work for them.
Only the budget is very small, so they won’t be able to pay you for it.
I get roughly one of these every week. I was fooled once. Then for a while I would reply with my working rates, “if you want x, pay me y”, and I’d get a sob story about how tight things are financially in these “hard times” and bla bla bla, or I’d never hear back from them at all. Lately, I haven’t even bothered to reply, I just mark it as spam and go on with my day.
Earlier today I came across this post by Juan Luis Garcia who had been offered to design the posters for Spike Lee’s version of the South Korean classic revenge movie, Old Boy. Not only did this company refuse to pay for the design work, they even threatened legal action against the artist who they refused to pay. There is no sense in me typing out a recap of the story, you should go read the original source instead.
This story really struck a nerve with me because it coincided with a rush of these crap offers in my own inbox, and I am tired of dealing with this bullshit from these shit bag companies.
So let me make a clear warning here and now: If you send me messages requesting that I work for free, you are consenting to having that message, complete will full personally-identifying information published for the world to see.
I’m also going to be getting in touch with several of my artist and designer friends, and see about working together on compiling a list of shit bag companies and agencies who abuse creative professionals.
What’s that? “It will be good exposure for me”? Well right now I would like to expose my middle finger in your general direction.
Photography discussions online tend to focus almost exclusively on gear, but rather than posting more technical tests or reviews, I’d like to talk about working the scene – being on location, and making little decisions that make a photo better.
I like to go out and challenge myself – I pick a location, then pick a lens that seems entirely inappropriate for that environment, and try to find a way to make it work. In this case, I went to Mount Pleasant cemetery armed with a 14mm prime.
I don’t really show these photos or do anything with them, I mostly just review them, take notes, and hopefully learn something that I can use later on.
I am currently working on my first mural project, which as of this writing, is about 2/3rds done.
I am not playing the role of artist, however, that is Daeve Fellows‘ role. For this mural, I am one of the two project leads – so fundraising, event planning, materials management, scheduling, etc. Instead of painting, I get to do all the fun logistical drudgery work. Yay!
The City of Toronto has this anti-graffiti program going on, where if they find graffiti on your building, you are given given some sort of notice with date informing you of the date that the graffiti must be removed by. At this point, you have three options:
1. Paint over the graffiti in a neutral colour before the date listed on the ticket.
2. Paint a mural over the graffiti with a mural before the date listed on the ticket.
3. Do nothing, and sometime after the date has passed, workers from the city of Toronto will paint over the graffiti, then bill you for it.
Since Site 3 Colaboratory has done a lot of really awesome stuff over the past few years, and has started earning a higher profile in this city as a source for awesome stuff, the members of the shop decided that our building deserved better visibility in the community, so we opted for option 2 – let’s paint a mural!
As one of the few formally-trained artists at the shop – and the only one to major in painting, I kind of fell into the roll of co-lead for the project. (I only wanted to be a consultant!)
Hello everyone.
The last several months, I’ve been getting far more spam than ever before, so I’m having to clamp down on things a bit, add some security measures that make the place a whole lot less fun for humans to use. Sorry about that.
I will also be going through and deleting A TON of spam accounts, but I am only human, and I make mistakes, so if I accidentally delete your account, it’s nothing personal, it just means that you’ve failed the turing test and I mistook your account for something generated by a bot.
~Kyle