This body of work I’m going to be putting together might make more sense with an understanding of where it’s coming from, and how I got started working in this style.
Back in 2005, I was working a summer job as a landscaper; I knew that come September, I’d be starting my thesis year at art school, and I wanted to hit the ground running, rather than aimlessly wandering between styles and ideas. I laid out all these intricate plans, and mentally sketched out images that I would later paint.
At the time, I was making a lot of work that looked like this. While it doesn’t necessarily photograph all that well, the iridescent and metallic colours glimmer and shift like jewels, creating a very alluring effect. The challenge was integrating this technique into larger images an compositions, rather than the all-over textures I had been producing.
September arrived, and I started testing out my ideas; and every single one of them bombed horribly. Over the next four months, I produced nothing but garbage.
Continue reading Kyle Paints 2012: Pt. 3: Some Background Info on My Style