Upon graduation from art school, I found it difficult to ‘talk shop’ with other working artists, as the internet is filled with many amateur art hobbyists on one end, and a bunch of obscurantist critical theorists on the other, and nothing in between.
I want a place where artists can gather to discuss the properties of cadmium vs quinacridone pigments, argue over the merits of 2 piece vs 3 piece moulds, discuss cobalt drier to oil ratios, talk about sand casting aluminum at home, list expected oil drying time per colour, exchange tips on using the mische technique, or work together to solve the mystery of how something was made.
So, if you are a redditor, head on over! And if you are a regular reader here, don’t worry, Most of the content posted there will come from either right here, or my YouTube channel.
Some friends of mine are working on a really cool project for Burning Man 2013 – The Charcade!, which can be described best in their own words:
We’re building an arcade and it’s rather non-traditional. (Translation: We’re building the CHARCADE and ALL THE GAMES SPEW FIRE) (quote taken from http://www.kickstarter.com/projects/Site3/charcade-burning-man-2013)
To turn this quick and succinct story into a long and boring one, last night, I was an idiot and locked myself out of my studio, and one of the project leads is excellent at getting past pesky locks. I have him a call, and ran over to my place, broke me in, then headed back for the “flame test”. As soon as I heard the words “flame test”, I knew I had to grab my camera and run over to experience (and document) the action!
I’ve used my new Samyang 14mm f/2.8 for a lot of architectural shots, working on collecting new source material for a batch of new paintings that I will begin production on in the near future. But I can only photograph so many cubes before I long for rougher, rugged, irregular shapes. I wanted to take my new lens out into the wilderness and get some landscape shots!
Of course, there isn’t a whole lot of wilderness to be found in downtown Toronto, so I headed off towards the next best thing: High Park. The cherry blossoms were in full bloom this weekend. If you’ve never seen High Park’s famous Sakura trees in full bloom, then you are missing out.
(Warning: Extreme levels of photo-nerd talk below)
With the acquisition of my Nikon D600 several months ago, the world of ultra wide angle photography opened up to me. At first, I thought I could make due with my excellent Tokina 11-16mm f/2.8 DX wide angle lens. No – I’m not crazy, I really was using a DX lens on an FX body. The image circle projected by the 11-16mm when it is zoomed all the way out is large enough to cover a full frame sensor.
The Baldwin Steps, Toronto, ON. Image taken with a Nikon D600 and a Tokina 11-16mm f/2.8
The problem is that edge sharpness takes a nose dive, and the vignetting is terrible. And while the 11-16mm gave me beautiful images on my-6 megapixel D70, on a 24-megapixel D600, the limitations of this lens were apparent. It’s just not as sharp as I would want a lens to be. Since wide angle photography is something I enjoy, and I really want something sharp and wide. The old phrase “go big or go home” came to mind. Looks like it was time to buy a new lens.
In case I haven’t mentioned it earlier, I have a show coming up in March. I’m working on the paintings, but I’m no good at thinking up show titles. Any suggestions?
After having the camera serviced by Nikon, my D600 is still suffering from an accumulation of dust, even after 5000 shutter releases.
The spots that are appearing now are a lot more faint, the accumulation of new spots has slowed, but it’s still happening. If I shot above F8 (which is 90% of the time) it’s not a problem at all, the spots are invisible, but if I stop it down any more than that, a few faint spots are visible on clear, bright flat areas.
What appeared to be a simple, minimal easy painting I could fart out in a hurry turned out to be the biggest struggle I’ve had with a painting in a long time.
I just realized I never posted part 3 of my D600 sensor dust test to my blog:
Part 3 of this video is another timelapse sequence combining 1000 photographs using the camera’s built-in intervalometer. The shots in this series range from #2681 to #3680, so I’ve broken that magic 3000 shots threshold that seems to be where things start to clear up for the D600.
In the comments to my previous videos, a number of people mentioned that the problem is oil/lubricant spatter, not dust (which explains why the spots will not blow away). And that this is a problem with new cameras, one that will go away after taking several thousand shots. So I figured, why not do a third sequence of 1000 shots and post the results?
Same setup as the first video:
I set up a time lapse sequence of 1000 shots with my 50mm 1.8D lens on my D600 body
I did not change lenses throughout this video.
I did use a hand pump blower to blast away any loose dust that had build up, and that did eliminate several spots, but the vast majority of them remain stuck to the sensor, and a DIY wet cleaning would void the warranty, which I am not prepared to do on a piece of equipment that is only one week old.
As you can see, while there is much less dust and oil landing on the sensor this time around, there are still a few new spots appearing. These look more like dust than oil spots.
I can deal with dust with a blower, it’s a minor annoyance, not a deal-breaker.
The camera was dropped off in person at a Nikon service centre on November 27th, and I am waiting for a call from them to let me know it’s time to pick it up. Then I will be able to see if the dust and oil problem has really worked itself out, if they have removed the excess lubrication, or if they’ve just spent two weeks doing a wet clean on my sensor.
Wow! What an incredible response to my first video. I wasn’t expecting any of this. Thank you to all for your comments and ideas.
As I was browsing the blogs who had picked up this story, and reading the viewer feedback, I was given several ideas that were too good to pass up. One was to try another set of 1000 shots, only this time, have the camera pointing downwards, so dust or oil will have a more difficult time reaching the sensor. So that’s just what I did!
Shutter Speed: 1/60
Aperture: F22
ISO 1600
Time between shots: 2 seconds.
