The Painting Process: Captured on Video

As a painter, I’m very interested in the painting process.

Painting is what I do, and I have to go through a painting process to get the finished painting. Whole movements and styles of painting have been dedicated to the process of painting. As much as I love abstract expressionism, I really, really don’t like the term “process painting”. I don’t walk into a gallery to see the verb form of painting; I’m after nouns. I want to see a well-executed finished piece.

Eventually, I will post a rant about my dislike of the phrase “process painting”, but this is no that occasion. On this occasion, I will be talking about what I think is a much better way of capturing and exhibiting the process of painting. I will be talking about video.
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Focus on the Core of the Work

Sometimes, a single word can do more to focus my practice than weeks spent in the studio.

In a recent interview on 99 percent, Francis Ford Coppola talked about some things he has learned about cinema throughout his long career as one of Hollywood’s greatest directors.

“When you make a movie, always try to discover what the theme of the movie is in one or two words. Every time I made a film, I always knew what I thought the theme was, the core, in one word.”

Know the core of the work.
Keep this word in mind while working.
Be able to express the core in a single word when asked.

This was one of those ideas that didn’t really excite me so much as I was reading the interview, but the more I think about it, the more I think that this is a very, very important point.
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The Importance of Failure

It’s easy to be discouraged by failure. It’s easy to do your best to avoid failure. But failure is a necessary part of learning. If you aren’t teetering on the verge of failure, you aren’t pushing yourself far enough.

When I sign up to do an art show, it’s often done a year in advance, I send in images of my older work, and when I’m accepted, I’m locked in, I have to produce a certain amount of new work that is similar to the examples that got me into the show. And when you sign yourself up for as many shows as I did last year, it’s a challenge to produce enough work for each of these shows. I had nine shows last year, many of them overlapped, meaning I had two full bodies of work on display simultaneously. I’m not a factory. I can’t just pump out X number of units each month. I like to give each piece the time and attention it deserves. Sometimes that only takes a few days, and sometimes it takes several months.

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I’m Making a List, Appending it Twice

OK, I’ve got to admit it, this post has nothing to do with Christmas, its just a lame attempt on my part to use a catchy title to catch your attention.

As I mentioned before, in “Personal Development Time”, I’m taking some time off from painting to push myself further, to experiment, to explore, and hopefully, to come back with some new work that really blows away what has come before it.

This is a tricky time for an artist, because it is very easy to let this time off turn into a wasteful period where nothing gets accomplished. This happened to me once before. After Graduating University, I wanted to keep pushing my work further, even though it was in a really good place where it was. I pushed it quite far -in the wrong direction. It took nearly two years before I was able to get myself back on track. I don’t want to get derailed like that again.

One massive pitfall that must be avoided at all costs is getting yourself stuck in research mode. Research mode is a very easy place to get stuck, because research is easy, it’s safe; there is no risk of failure, and no end in sight. There is always something else to read; always another idea to absorb; always something new to learn. It feels like real work, so it’s very easy to stay in research mode and feel like you are not wasting time.

But you are.

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It’s Time for Some Personal Development

It’s been a while Since I’ve posted anything up here. Sorry about that. I’m really not making good on my promise to post something new here every single week.

The only excuse I can offer is busyness.
I’ve been busy. Very busy.
Lots of prep work, lots of new paintings, and lots of shows.
I hung my ninth show of the year the other day. That’s a new personal record for me. Nine shows and over 100 new paintings in one year, and I’ve still got 1 full month to go.

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Vote Now! Seeking Feedback on my Paintings

Vote Now! Seeking Feedback on my Paintings

I’ve got a little project in the works. I won’t reveal what that project is quite yet, but it might turn out to be the most awesome thing in the history of the entire universe (but that outcome is rather unlikely).

A few days ago, I set up a new little area on my blog. I’ve got enough of the bugs worked out that I now feel comfortable advertising this new section. The link, which can be found in the upper right hand corner of this page, leads to a blog entry where my urban landscapes can be viewed, and more importantly, voted for.

Each of my paintings can be given a “thumbs up”, or a “thumbs down” rating, and as far as I know, the whole thing is completely anonymous. You don’t have to worry about offending me, or forcing my artistic direction one way or another, this is just about getting some feedback on my work.

At first, I published the link to a fairly small following, the people on my facebook fan page. The next day, the link was posted to a low traffic web forum. Yesterday, I tweeted about the page, and today, I’ve put the link on my blog, my main facebook page, and a few other places.

I will be keeping careful track of the results, and adding to this entry in the near future.

If you can spare a few moments, please, head on over to the new gallery section and vote!

Thank you.

Just Like Old Times

I had just put in yet another 14 hour day with Brad. We were closing in on the 90 hour mark for that week, and I was worn out. After the short walk home, I stumbled through the front door, and headed straight for bed. It was nearly 4 am. My shoes were still on my feet, and I was asleep before my head even hit the pillow.

Around 9 am, my phone rang.
“um…hello?”
“Kyle, put together an art show for November.”
“um…sure.”
*click*
I rolled over and went back to sleep.
I crawled out of bed around noon and made my way over to the secret lab / collaborative studio (otherwise known as “Brad’s house”).
“Hmm…I had the strangest dream last night. I dreamt that I got a call from my old high school teacher, ordering me to put together an art show for Bob’s gallery. Weird.”
I checked my phone’s call history. It wasn’t a dream. I did agree to curate an art show.

Brad looked at me, “Have you ever curated a show before?”
No
“Do you know how to curate a show?”
No
“So, why did you agree to it?”
Because it’s a show!

Never turn down a show. That’s the rule. Show. Show your work. Always be ready. Be ready for three shows at once, just in case; and if you are already booked, work harder and make it work.
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New Lens!

In my last post, I mentioned that I picked up a new lens.

I tried to tone-down my giddy excitement in that last post. I will be letting it all out in this post.

My 18-70mm 3.5-4.5G DX was sharp enough, it was fast enough, it was almost even enough; but damn! 50mm 1.8D prime, you make me so happy!

This is the most inexpensive lens Nikon makes. It is not a cheap lens. It is an inexpensive lens. It doesn’t cost very much, but it takes fantastic pictures.

It opens wide, all the way up to f/1.8, which is about 2 and a half stops better than any of my other lenses. The shallow depth of field this allows has given me a whole new world to explore.
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Finding Creative Solutions

I was recently given a pair of broken headphones. The damage was nothing serious, the right ear had just snapped off. They still worked perfectly fine, so long as I didn’t need my right arm for anything; I needed that to hold the dangling phone up to my ear. The TV station that the headphones originally belonged to has no need for gear that only half-works, so they gave them away.

The design of these headphones makes for a very difficult repair. I’ve had the same problem with this particular brand before. They make great sounding headphones, and great looking headphones, but the ears break off far too easily. I’ve had many broken pares sent my way, and I’ve always tried to fix them the same way; by collecting the broken parts and trying to reassemble the phones from these parts. To reassemble the headphones, I’ve tried epoxy, elastic bands, resin bond, contact cement, melting the plastic parts back together with a soldering iron, and duct tape.

Duct tape works very well – for a day, then they fall apart and I’m back where I started, only now everything is coated in a good layer of duct tape goo.
Elastic bands work for a few weeks, then fall apart.
Epoxy lasts about a month before the flexibility in the plastic causes it to pop off.
Resin bond and contact cement do nothing-there is simply not enough surface area to stick properly.
Melting the plastic back together just gives off fumes that are probably very bad for me, then snaps apart as soon as put them on my head.

In short, all of these methods have failed miserably, and none of these were creative solutions.
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How I Started Listening to Audiobooks While Painting

It’s amazing how quickly an idea can spread though a community or subculture. One particularly aggressive meme that is working it’s way though the Toronto artist community is audio books. Listening to an audio book while working seems to be a rapidly growing trend.

I had always heard of audio books, but I never had the slightest bit of interest in them. In 2005, While talking to Nicholas Di Genova in his studio space in Toronto, he happened to mention that his latest audio book had arrived in the mail. He was a member of some sort of audio book club. Based on his description, it worked like Netflix, only with audio books instead of movies. He paid a monthly fee, and they sent him a book. When he returned it, they sent him the next one on the list. At the time, I was still blaring Nine Inch Nails and Skinny Puppy while working, and the idea of listening to a dry, boring audio book did not seem at all appealing. I was an expressionist painter who worked long hours, and I needed fast and interesting music to keep me going. I couldn’t imagine enjoying listening to someone read a book. But this conversation with Nik successfully planted a seed in the back of my mind. It just needed some time to sprout.

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