An Experiment with Micro-Payments

I know artists aren’t supposed to talk about money, but I’m going to break that rule in this post to talk about a little experiment I’m going to be running for the next few months.

See that little box in the right hand sidebar, above the archive? That is my Flattr Box. Let me explain what that is and why I put it there.

There is a micro-payment service known as “flattr”, and it seems like a really neat idea. Flattr hasn’t really broken into the North-American market yet, but I think this service has the potential to really go somewhere. Unfortunately, it’s a very social thing. Like a fax machine or facebook account, Flattr is utterly useless if only one person has it. It’s value will increase with its popularity.

You know how you can “like” something on facebook? Flattr is sort of like that.

Let’s say you are on a web page, and you want to show the author that you appreciate their work. They could have a “Like” button that is similar to what you see on facebook. But what if you are an extremely altruistic person who wants to do more than give some virtual props?

Let’s say you want to do more than offer moral support. Let’s say you want to send a small donation to the creators to show them your appreciation. But…you can’ be bothered to go through Paypay., because let’s face it, it’s a hassle to log in, enter all the info. Why can’t you just click a button and be done with it? Someone needs to design a system where a single click is all it takes to send a small token of support to a content creator.

That’s where flatter comes in.

You register an account. You set your monthly allowance. You flatter the pages you like. Your monthly allowance is split between those pages. That’s all there is to it.
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A Whole Lotta Blog Love

Half of being an artist is what takes place outside the studio. No one is going to randomly knock on my apartment door, just to see if an interesting artist happens to be living there. Marketing and promotion matter!

The most labour-intensive project I have been involved with to date is my collaborative project with Brad Blucher, Take a Picture

A few days ago, I was talking to my friend Jonathan (a maker of fantastic things) and he suggested that I try submitting Take a Picture to the Make Blog and Hack a Day.

Long story short, this was wonderful advice, and it started a snowball rolling, and I can’t wait to see where it goes.

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Writing a New Artist Statement

Oh, artist statements.

I’ve written about my dislike of writing artist statements before. Writing about another’s work is easy, yet writing a one-page blurb about my own work is incredibly difficult.

As the creator of the work, it is easy to become infatuated by the small details, and miss the bigger picture. When looking at my work, the things I notice and really work on are very minute details. The larger ideas are things I’ve been working with for so long, I don’t even notice them any more. The old expression, “can’t see the forest for the trees” comes to mind.

There is a saying among artists that describes this feeling, “I’m too close to the work.”
When talking to fellow artists, we know exactly what this phrase means. I recently had the awkward experience of explaining that phrase to a non-artist. “It’s hard to see my work from a detached perspective because I spend so much time with it up close, I can’t think of it objectively”.

That’s when I had an idea, “If it’s easier to write about someone else’s work, why don’t I get someone else to write about my work?”.
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Illuminated Landscapes: Abstract

As Brad and I were organizing the images for inclusion in Illuminated Landscapes, we were initially intimidated by the large number of images before us. We found it helpful to sort the photos into several groups of similar images.

We each came up with a few general categories. The working titles for these groups were pretty bad, it was just the first thing that popped into our heads, nothing too deep or poetic, but the idea to sort them like this was a tremendous help.

A single folder with 200 images can be very overwhelming go through, but when I had 10 folders with 20 images in front of me, I stopped seeing the image as isolated things; I began to see them as part of a series. This made sorting much easier. It wasn’t about the image any more, it became about what images worked best together. What could have been days of beard scratching was reduced to a few hours of work.

We didn’t title any of the sections in the book, since we decided to keep text to a minimum. Other than the opening blurbs, this is just about images. No captions or quotes; just text.

Over the next little while, I plan on using this place to present the groups of images.

I will start with a group of photos that is pure Kyle; not one of Brad’s shots made it into this folder. This folder was simply titled “Pollock”, and when you see the images, the reason for this name should be fairly obvious.
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Illuminated Landscapes Has Arrived!

Last night, the first copy of Illuminated Landscapes arrived in my mailbox, and I am proud to say that the book passed it’s inspection. The print quality matches our expectations and the project is now officially ready to go live!

It’s kind of strange to think that I now have a book out and on the market.

I don’t have a lot to say with this post; instead, I will offer a virtual tour of the book.
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Illuminated Landscapes: Free PDF Version Available Now.

If you are a regular here, then you’ve probably heard about Illuminated Landscapes a series of photographs by my friend Brad Blucher and myself.

I’ve hinted about the project three times before. But no more vague teasers!

We’ve edited down the huge archive of images into 80 photographs. These 80 photographs will appear in our new 80-page photo book Illuminated Landscapes, which will be available soon.

While we are still waiting for the hard copy version to arrive so we can apply our seal of approval and put the thing up for sale, the free digital version is available now!

That’s right, the free version is out before the “must pay for it” version!

The free digital version contains the same set of 80 images that appear in the physical version, and is presented as two separate PDFs. (one portrait, the other landscape)

To receive your free version of Illuminated Landscapes, all you need to do is send off an email to:
smile_takeapicture@ymail.com

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Illuminating Landscapes

On Saturday night, I stumbled through the front door at 4:02am.

I wasn’t returning from a night of hard partying. I wasn’t stumbling due to any sort of intoxication. I was simply exhausted, both mentally and physically.

Why was I so exhausted?
Well, 18-hour work days will do that to ya.

Since 10:00 am Saturday morning, Brad and I had been working on a little project. We call it “Illuminated Landscapes.”

I talked about the very first photo shoot of this series in a previous entry, Painting with Light, but I didn’t explain what we were going to do with these images.

This is what we’ve been working on:
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A Tired Kyle is a Useless Kyle

I am not a morning person. It takes me a while to get myself warmed up and ready to go. My usual routine is to wake up, turn on lappy, make coffee, open some web pages (twitter and reddit have really reduced the number of sites I go through on my web surfing routine, all my boingboing, slashdot and techdirt headlines are aggregated and combined on one page)

It’s only after an hour or two that I’m ready to actually do anything. And being a full time artist, once I’ve reached this point, I can usually ignore the clock and just keep on working until my hand-eye coordination degrades to the point where I know I need more sleep.

I had a break from this routine over the weekend, and this break provided me with a good reminder of just how useless I can be in those first few moments after waking up.
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Artist’s Statement Hell

I’ve got a big show that I will be applying for in the near future.
I’ve known about this show for over a month, but I still haven’t sent in my application.
Why haven’t I sent in my application?

Well, the last few years, they’ve wanted some jpegs, and a copy of my CV, a list of my show history.
This time around, they aren’t interested in my history.

Oh no.

This time around, they want an artist’s statement.

Oh, artist’s statements, how I wish you did not exist. I have yet to come across a single artists who is thrilled at the prospect of writing an artist’s statement. Some artists hire others to write their statements for them, some hack something together last minute, and some over-think and over-work their statements to the point where they have a tangled incoherent mess of invented undictionaried words.
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The Painting Process: Captured on Video

As a painter, I’m very interested in the painting process.

Painting is what I do, and I have to go through a painting process to get the finished painting. Whole movements and styles of painting have been dedicated to the process of painting. As much as I love abstract expressionism, I really, really don’t like the term “process painting”. I don’t walk into a gallery to see the verb form of painting; I’m after nouns. I want to see a well-executed finished piece.

Eventually, I will post a rant about my dislike of the phrase “process painting”, but this is no that occasion. On this occasion, I will be talking about what I think is a much better way of capturing and exhibiting the process of painting. I will be talking about video.
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